The exhibition focuses on Larry Bell’s architecturally scaled works from the 1970s, particularly his standing walls, marking a shift in his practice towards free-standing glass panels joined with silicone. These monumental works depart from his earlier metal-framed sculptures, exploring architectural and mural geometries beyond the pure form of the cube. The display includes four large-scale glass sculptures from the early 1970s and ‘Moving Ways’, a monumental late 1970s wall work, showcasing Bell’s contribution to minimalism and corporeal phenomenology. The exhibition features rare, museum-quality pieces primarily from an important Italian collection, Panza Collection, including ‘Untitled’ (1970). Bell, a renowned artist from the Los Angeles art scene of the 1960s, is known for his innovative surface of treatment of glass, harness light, reflection, and shadow. Since 1969, he has employed his high-vacuum coating system to deposit this metal films onto glass surfaces, extending his exploration into paper with ‘vapor drawings’ in 1978. The exhibition also highlights Bell’s recent work, such as ‘The Blue Gate’ (2021), showcasing his mastery of color and complex forms through monochrome color-laminated glass.